Happy New Year!

RAKKS-2016-NEW-YEARS-BRACKET

Illustration by Keith Ente

Wishing everyone a Happy, Healthy and Prosperous New Year!

 

December 31st, 2015 | Comments Off

Talk About Karma

Marcela’s Yoga Boutique - Exterior

Marcela’s Yoga Boutique – Exterior

Marcela Hughes is a Yoga Instructor, Certified Health Coach and owner of Marcela’s Yoga Boutique Old Town, Alexandria, Virginia. The shop is delightfully warm and inviting. Merchandise ranges from yoga-inspired art and essentials to exotic teas that nourish the mind, body and soul. It is not surprising Marcela also believes in the power of Karma.

When Marcela undertook the renovation of her shop, she anticipated challenges due to the age of the building, and it’s location in the historic district of Old Town Alexandria, VA. She consulted the local Small Business Development Center for advice about hiring an architect. They recommended Bridget Gaddis.

Front Room

 

Bridget is a Licensed Architect and LEED-Certified Professional practicing nationally, and locally in the Washington DC area. Bridget holds professional degrees in both Architecture and Interior Design. The ironic part of the story is the fact that Briget’s office is located directly – yes directly – across the street from the yoga studio. Clearly this collaboration was meant to be.

Merchandise Display

Merchandise Display

The women soon discovered they worked well together. “At the beginning of the process, Marcela had a vision that centered around the lotus flower,” says Bridget. “It is the key visual element of the studio’s logo, and I found it inspiring. I liked the fluid water element inherent in the Lotus environment,so I incorporated curved glass shelves supported by Rakks Style Shelf Support Brackets on D Style Standards as a feature in the shop. Rakks also supplied the custom glass shelves. There is a mystique attached to the idea of yoga, and one way of visually representing the calm is with open space – not so easy in a tiny shop. By merchandising mainly the walls we were able to define site lines that terminate in beautiful merchandise displays and at the same time maintain the “karma” of open space.”

Rakks Brackets and Wall Mounted Standards

Rakks Brackets and D-Style Wall Mounted Standards

The linear quality of Rakks Brackets, PC2, and PD6 pole supported shelving, and Rakks wall mounted standards create a visual rhythm in the space. In addition, to the wall mounted shelves on “D” standards, the dramatic wood shelf – with the shape of the tree still in its profile – is supported by Rakks counter support brackets.

The project took about four months to complete. The structure is old, and the exterior walls are plaster directly on furred out brick. The walls were totally out of plumb, to the extent that the contractor had to build a drywall stand out in front of the existing wall to use the wall mounted Rakks standards. An additional benefit of the Rakks poles is that they do not rely on the walls for their support.

Display Area and Studio Space

Display Area and Studio Space

Thank you to Marcela and Bridget for sharing your story with our readers and Teel Construction for their impeccable installation of Rakks.

Contact information:

Marcela’s Yoga Boutique
317 Washington Street
Alexandria, VA 22314
Phone: 571-290-5026
http://www.marcelasyogaboutique.com/

Bridget Gaddis, AIA, Leed AP
424 S. Washington St. Ste. 3A
Alexandria, VA 22314
Office Phone: 973-701-8800
Cell: 973-610-0238
http://gotogaddis.com

Teel Construction
768 Walker Rd.
Great Falls, VA 22066
Phone: (703) 759-4754
Email: info@teelconstruction.com
teelconstruction.com




December 21st, 2015 | Comments Off

Mary Gillis – Book Artist Carrying on a Tradition in Boston

Recipe Book Page – by Mary Gillis

This past July, we did a Blog post about Book Art. The subject fascinated us. Little did we know that book art was very much alive right here in Boston. In an unusual twist of fate, Rakks got the attention of a book artist looking for a shelving solution for her studio.

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Artist Mary Gillis in her Boston South End studio

This story begins in Boston’s South End where artist Mary Gillis resides. Mary is a very talented lady who makes beautiful quilts and practices Book Art. Her studio, up a winding staircase in a lovingly restored brownstone, is filled with inspiration including fabrics, art, poetry and found objects. For her, the progression from creating a quilt to producing Book Art was a calling. Both art forms share her desire to tell a story through tactile materials and structural elements.

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W S Merwin Poem – by Mary Gillis The box contains a scroll which can be viewed by turning the little knobs. The subject of the poem is ‘mistakes’—hence the coffee stains along with the text.

When we asked Mary how she became interested in book art, she explained, “It all started when I saw Book Art exhibited at the National Museum of Women in the Arts in Washington, D.C. a few years ago. The minute I saw the exhibit I realized Book Art was something I wanted to pursue. When I retired, I had more free time, so I took a class in Book Art at Boston University. During that class, we made 14 books in an intensive 6-week session including my ‘Moby Dick’ book that was juried into the “Call Me Melville 2012” exhibit in Pittsfield MA.”

Moby Dick - Coffin book cover by Mary Gillis

Moby Dick – Coffin book cover by Mary Gillis

Moby Dick - inside front cover by Mary Gillis

Moby Dick – inside front cover by Mary Gillis

Rakks and Mary’s paths crossed when she was looking for a shelving system for her studio. She was searching for products and came across a mention of Rakks in a design publication. When she visited the Rakks website, she said, “I was very happy to see that they were local. I still had questions, so I emailed them, and included a diagram of the configuration I designed. Within the hour, a Rakks salesperson emailed me back with very clear answers, even to my nitty-gritty questions. He made a list of what I would need and soon my project was off and running.

Finished Rakks system in Mary Gillis’s studio

I began by having Boulter Plywood in Somerville, MA (link) cut four 14” deep plywood shelves for the top of the system. Next I installed Rakks vertical standards and the top mitered pieces. Once that was done, it was back to Boulter for the desktop and lower shelves. My walls are a little uneven, and I needed more stability for the top shelves, so I screwed a cleat into the wall under the back of the desktop shelves and secured them for stability.

mary_gillis_support

PC4 Pole with Mitered Tie Pole

Offset L-Bracket

 

mary_gillis_shelf

Rakks Style Bracket with Universal Wire Bookend

During the process, I learned that the Door Store in Cambridge carries Rakks. It turned out that I had space for an additional shelf, so I went there and added brackets and couplers to my system. Mission accomplished!”

Thank you, Mary, for sharing your story with us. We’re looking forward to seeing your next project!

 

 

November 13th, 2015 | Comments Off

Rem Koolhaas Was A Little Restless

 

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Seattle Public Library CCTV Tower, Beijing

When Architectural Digest published an article about Rem Koolhaas and his Rotterdam-based firm OMA/AMO in the September edition, they referred to Mr. Koolhaas as “arguably the most influential architect of the past 30 years.” We couldn’t agree more. He was the visionary behind the Seattle Public Library, with its structured origami-like folds, and Beijing’s boldly angled and cantilevered CCTV tower – both projects strokes of visionary genius and examples of extraordinary scale. His name has never been associated with adaptive reuse projects until now. The question is why?

According to AD “The answer is now coming into focus thanks to two dazzling debuts, both adaptive reuse projects that reflect Koolhaas’s efforts to accomplish more by building less. This past May the Dutch architect unveiled the Fondazione Prada’s new Milan art center, largely constructed from the remains of a century-old distillery. Then, a month later, he christened the new permanent home of Moscow’s Garage Museum of Contemporary Art, set in a repurposed Soviet-era restaurant in Gorky Park. In each case, by serving as renovator rather than the creator, Koolhaas says he was forced to put aside “pure ego” to “pursue relationships with the past.”

fondazione

The Fondazione Prada – On the left is the theatre OMA/AMO added to the campus

The intriguing architectural debut of these two dynamic art complexes is a new interpretation of Koolhaas style. Both Milan and Moscow are steeped in history, art and architecture albeit from different cultural perspectives, however, the common understanding of the benefits of adaptive reuse bridges the cultural divide and simply demonstrates the genius of Koolhaas.

The Fondazione Prada is a high point in the partnership between Prada and OMA/AMO. According to the Architzer Blog “The partnership has gone on for more than a decade. Their combined efforts, led by the two firms’ charismatic leaders, Miuccia Prada and Rem Koolhaas, have induced a renewed interest in fashion among architects and a new appreciation for space and form among designers.”

moscow

Moscow’s Garage Museum Of Contemporary Art

Moscow’s Garage Museum Of Contemporary Art is the upstart collaboration of Koolhaas and the ambitious museum’s founder, philanthropist Dasha Zhukova. The Wall Street Journal described it this way. “Art collector and philanthropist Dasha Zhukova is launching an ambitious campaign to connect Moscow to the international art world, and she’s tapped architect Rem Koolhaas to execute her vision.”

And execute it he did. Koolhaas purposefully designed the structure to be edgy and less polished. The one time garage built in 1968 was in ruins when Koolhaas first heard of it. In the AD article Koolhaas recounts, “… We discovered that preserving the building from 1968 meant preserving the mentality and raw, youthful energy of 1968.” To achieve the goal, Koolhaas covered the two story, 58,000 square foot building in a translucent polycarbonate shell that creates a surreal divide between the interior and exterior spaces. Shimmering plastic panels are designed to slide up and reveal the buildings entrance hall. The founder’s vision is to introduce Russians to international contemporary art.

Adaptive reuse Koolhaas style is respectful of the “ambitions and intentions” of the original designers vision. We think they would approve!

 

October 19th, 2015 | Comments Off

American Architect, Canadian Landmark: The Canadian Human Rights Museum

Located in Winnipeg, Manitoba, the Canadian Museum for Human Rights is the first museum in the world dedicated to the evolution, celebration, and future of human rights. It stands at the forks of the Red and Assiniboine rivers. The beautiful glass landmark was built by Antoine Predock—an American architect, landscape architect, and interior designer based in New Mexico.

Predock was picked from a competition pool of architects from sixty-four different countries. His design was chosen by the Museum’s Architectural Review Committee because it “could fulfill the objectives for an inspirational building that achieves a complexity relating to the diversity of human experience.” He began the project in the spring of 2009 with goal of melding the idea of human rights with an exceptional architectural form. The 260,000-ft2 building opened in the fall of 2014 and stands as a symbol for the road to understanding human rights. The structure builds on itself upward and culminates at the Tower of Hope—a 23-story glass spire 100 meters in the sky.

Filled with multi-sensory exhibits and alabaster crisscross galleries, the design provides dynamic and accessible exposure to human rights content. There are ten exhibit zones, including galleries such as “What are Human Rights?” and “Turning Points for Humanity”, that provide a vibrant space for education and conversation. Exceeding the Smithsonian standards, the museum prides itself on being the most accessibly designed in the world. In the midst of this colossal building, the international array of patrons have the chance to dine at the ERA Bistro and shop at the museum’s boutique.

Number TEN Architectural Group, a firm dedicated to sustainable practices, designed the interiors of the bistro and boutique. Heather Anderson was the project lead and chose to incorporate Rakks shelving systems into both interiors. Rakks shelving systems are strategically placed along the walls and in the display windows of the boutique. They hold an eclectic collection of handmade gifts with messages dedicated to human rights.

The ERA Bistro is a serene oasis for dining and cocktails. Walls are neutral dove gray. Metallic sculptures are suspended from the ceiling and gossamer window coverings separate the space from the museum’s busy public areas.

Heather Anderson explained how Rakks shelving systems were seamlessly integrated into both spaces. “Rakks was a great solution for our bistro and boutique, as we did not want to use a custom millwork approach to the shelving,” she said. “The aluminum finish of the Rakks shelving aligned with the refined, minimalist aesthetic of the boutique and bistro. We wanted adjustable shelving that allows the owner to easily change the shelving display to accommodate various product offerings and configurations.”

If you happen to be travelling in Canada, we highly recommend visiting this stunning architectural landmark.

 

 

August 18th, 2015 | Comments Off

Success Is Inevitable When You Have “Retail” In Your Blood

Joseph “Joe” DeJamal founder of Dor L’Dor followed his dream. Growing up in New York, he spent his early years “learning the ropes” of the children’s apparel business from his father.


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